There is no pressure cooker writing, which takes place. Allow more space for the writing to really emerge. ![]() That is where we need to be investing in. “Most of the times, when a film doesn’t connect in spite of the fact that the idea was good, director was talented and the stars were attractive, it is because the script has gone wrong. “I think the writer should also be involved in that honest introspection to be able to determine where did things go wrong,” said the acclaimed writer.Īnjum Rajabali, who has also written Farhan Akhtar’s upcoming sports biopic Toofan, believes more often than not it is the script, which goes wrong, while all other factors fit in perfectly. Oh it’s because the time wasn’t right, nobody wants to see a disabled person in a star’s role.’ It could also well be that there was a problem with the DNA of the script. “‘Oh! It could be because of the space and hence we put two and two together. Rajabali further said it was the script which was problematic in Zero and not the fact that Shah Rukh Khan’s character went to Mars. What happens is then, there are knee-jerk reactions rather than responses even from the makers.” This whole practice and culture of postmortem, of analysing what went wrong hasn’t really caught on. He added on a serious note, “I will make a slightly more basic point here. However, 'Saare Jahan Se Achcha' is also a national patriotic song in India, and played a large role in the Independence movement, and as such it should also be written in the Hindi script, since Hindi is the national language of India (in contrast to official languages like Kannada and Bengali).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |